With a heavy haul of 250 kilograms of gold bullion, the grizzled criminal mastermind, Rhino, and his ruthless gang of cutthroats, head to a ramshackle retreat somewhere in the Mediterranean to lay low on a scorching day of July. However, the unexpected and rather unwelcome arrival of the bohemian writer, Bernier, his muse, Luce, along with a pair of no-joke gendarmes further complicates things, as the frail allegiances will soon be put to the test.

A mortician at a funeral home finds a way to bring back the dead for an hour at a time to do his dirty work. The town's chief of police (Fahey), gets suspicious and tries to get to the bottom of the mysterious and brutal deaths and events happening in the small town before too many people die.

The story takes place in 19th century Europe, and revolves around John Watson. He is scouted by the government to become a secret agent. However, Watson lives in a world where "Frankensteins"—human corpses that are re-purposed with a false soul in order to use them as laborers—are used to improve industrial development.

A director is filming on location in a house where seven murders were committed. The caretaker warns them not to mess with things they do not understand (the murders were occult related), but the director wants to be as authentic as possible and has his cast re-enact rituals that took place in the house thus summoning a ghoul from the nearby cemetery to bump the whole film crew off one by one.

Dancing through Slovak history of the twentieth century. Based on the Theatre du Campagnol performance "Le Bal" by Jean-Claude Penchenat, written by M. Huba and M. Porubjak. A dance locale - a place where people who are looking for partners come together. Lonely individuals become couples, people who were strangers not so long ago become partners and lovers. Outside, conditions change and regimes change, the country is overwhelmed by great history, the whirlwind of the World War, the communist coup, the hopeful spring of 1968, the fraternal occupation, the Hussite normalisation, November 1989 and the collapse of Czechoslovakia. Only those lonely dancers on the dance floor remain the same - with their human longings, their ridiculousness and their unfulfilled dreams.

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Ex-cop Gus is all messed up and in therapy after he was shot in the line of duty. He takes a job as a resident manager of a creaky old, creepy apartment building, The Royal Vista Apartments. It would seem that his new employment would be a piece of cake compared to his last job as a police officer, but not so. Tenants start dying, left and right, bizarre and bloody deaths. The greedy old owner, Wang, puts unrelenting pressure on Gus to "Rent apartments!!! Rent Apartments!!!" Gus finally gives in and makes a fateful error in judgment. He rents to vampires.

"Ni Muy Muy, Ni Tan Tan, Sim­ple­men­te, Tin Tan. Tin Tan was one of the grea­test com­de­dian-​ac­tors in the his­tory of Me­xi­can Ci­ne­ma. He be­gan his film ca­reer du­ring the early years of what be­ca­me the Gol­den Age of Me­xi­can Ci­ne­ma. Th­roughout the ma­jo­rity of his mo­vies he plays the cha­rac­ter of a pa­chu­co; the Chi­cano/Me­xi­cano in zoot suit, th­ro­wing out the ti­ri­li ph­ra­ses and words, and jam­min the jitty-​bug. With the sty­le and the slang down to a tee, he was pi­cked up in Cd. Jua­rez Chihuahua by an ac­ting trou­pe. Tou­ring ex­ten­si­vely th­rough-​out Me­xi­co with the trou­pe lan­ded him in Me­xi­co City with film con­tracts. It was in tho­se films that Tin Tan ex­po­sed the ima­ge of the pa­chu­co, which Me­xi­can Youth adop­ted. From the de­sert bor­der-​towns of Jua­rez y El Pa­so the sty­le took off in va­rious parts of the coun­try, most no­ta­bly in Me­xi­co City

MALCOM GRANT, CIA operative has just woken up from a nightmare, only to find the Gates of Hell are open and the World is over-run with the living dead. To make matters worse, his terrifying dream is someone else's reality. With no recollection of his past, he must now help the government retrieve the memories of a dead serial killer who may have the answers that can save Humanity.

二十世纪五十年代初期，当年抵抗法西斯侵略的战士裴里康，现在是多瑙河堤岸的守护人。影片开头，他在堤上巡守。土堤上的绿草修剪出“光荣属于伟大的领袖” 字样。这时走来一条狗，在草地上撒尿。裴里康十分惊慌。因为他经常由于做错什么而被关进监狱。他曾由于肉食不足，偷偷杀掉自己养的猪而被投入监狱，后被抵抗运动时的战友保释出狱。他当游泳池的管理人员时，把一个当地党的领导人某将军独占的游泳池，改为向一般市民开放的公共游泳池，那位将军在开放那天到场一看，当场晕倒在地。他当上某公园的负责人时，把“幽灵庄园”改造成为“社会主义幽灵庄园”。进入庄园，首先映人眼帘的是马克思的画像，接着是—张在世界地图上边有幽灵袭来的图画，图画的题词是马克思《共产党宣言》开头的名言“一个幽灵，共产主义的幽灵，在欧洲徘徊。”接着，两个衣衫褴褛的人突然出现，双手带着锁链，象征着他们“失去的只是锁链”那句话。后来，裴里康被迫充当揭发检举伙伴是间谍的证人，他被要求用心练习“证词”。这个正直的人，在法庭上不背 “证词”而说了真话，因而被判处死刑。在执刑的当天，由于政治形势的变化，裴里康又—次接到获释通知。